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World <b>News</b> – Russians stage mass protests against Putin
Tens of thousands of people took to the streets across Russia Saturday to demand an end to Vladimir Putin's rule and a rerun of a parliamentary election in the biggest opposition protests since he rose to power more than a …
World <b>News</b> – Russians stage mass protests against Putin
Alice Cooper at the Whisky a Go Go: Concert Review
Michael Tullberg/Getty Images
The Bottom Line
An intimate, stripped-down show for the venerable shock rocker; more a chance to let off some steam than promote his new album.
Venue
Whisky a Go-Go,Los Angeles(Thursday, Sept. 15)
“We’re a bar band,” Alice Cooper announced near the start of his show Thursday night. “A Sunset Strip bar band.” What exactly differenciates a Sunset Strip bar band from a band playing at, say, a bar on Sunset and Fairfax was never explained. But on the basis of their performance at the Whisky a Go Go, it means one that can mix a fair number of their own hits along with the covers and the ability to attract a couple of well-known guest stars.
And it’s rare that your typical bar band, Sunset Strip or not, gets the kind of buildup Alice Cooper received. There was a DJ from KLOS-FM (which was broadcasting the show) introducing Jim Ladd, who introduced an exec from Universal Music, who introduced a couple of prize winners, then introduced Rob Zombie, who — finally! — introduced the band, who clambered onstage and launched into “Train Kept a-Rollin’ ” (a choice, one imagines influenced by Cooper’s last performance at the Whisky in 1968, where he opened for some new British band called Led Zeppelin).
It was followed by a mix of Cooper’s own hits — “No More Mr. Nice Guy,” “I’m Eighteen,” “Under My Wheels,” “School’s Out” (with special guest Ke$ha) — and classic rock covers. Robbie Krieger sat in for a couple of Doors hits (“Break on Through,” “Back Door Man”) and to tell a couple of stories about Cooper’s encounters with Jim Morrison, as well as demonstrating the headliner’s stylistic debt to the late singer. Other covers also were connected to Cooper’s early days in Hollywood, including “We Gotta Get Out of This Place” because Cooper saw the Animals at the Whisky in 1968. The “we don’t need no education” chant from “Another Brick in the Wall, Part II” shoehorned into “School’s Out.”
They were played with professionalism, if not a great deal of inspiration, by Cooper’s touring band (or, to put it another way, a bar band of a very high order). Drummer Glen Sobel was the obvious standout; crisp and precise, musical but stopping just this side of overly busy. Steve Hunter, who played on the original “Welcome to My Nightmare,” seemed more like window dressing than a part of the band; though he could easily outplay the two other guitarists, he was called on for only a few short solos.
What pulled the night out of the ordinary was Cooper, who remains a most personable classic rocker. Hale and looking good for 63, he joked that pretty soon, he’ll have to start singing “I’m 80,” adding that producer Bob Ezrin kept insisting that the band “dumb down” their songs and even proclaimed that Alice Cooper “is my favorite rock star.”
It’s nice to see a musician, especially one in his 60s, joke about age; it’s very much in keeping with Cooper’s character. Even at his most controversial, he always brought wit and sly distance to his stage persona. While “Eighteen” and “Is It My Body” nailed adolescent frustrations, “Nice Guy,” and the admission in “School’s Out” that “we can’t even think of a word that rhymes!” were sly, winking acknowledgement that he was in on the joke. And the songs — with their touches of Broadway, vaudeville and pop — were far more sophisticated than other contemporary hard rock and metal bands.
But as much fun as the show could be, for an evening “celebrating” the release of his new album, “Welcome 2 My Nightmare” (Universal Music), only one song, “I’ll Bite Your Face Off,” made it into the 75-minute show.
But the audience didn’t seem to mind. They were happy to see Cooper in an intimate, stripped-down setting. If you’re going to see a bar band on the Sunset Strip, these guys weren’t bad at all.
Set List:
Train Kept a-Rollin’Under My WheelsNo More Mr. Nice GuyIs It My BodyBrown SugarI’ll Bite Your Face OffMuscle of LoveCold EthylBillion Dollar BabiesBreak on Through (with Robbie Krieger)Back Door Man (with Robbie Krieger)PoisonI’m EighteenSchool’s Out/Another Brick in the Wall, Part II (with Ke$ha)Elected
Alice Cooper at the Whisky a Go Go: Concert Review
IFC Midnight Takes Multiple Rights to ‘Penumbra’
12:00 AM PDT 9/23/2011 by Jay A. Fernandez
IFC Midnight has grabbed rights to directors Adrian and Ramiro Garcia Bogliano’s Penumbra in North America, Malaysia and Singapore. The deal was closed on the eve of the film’s world premiere Thursday at Fantastic Fest.
Cristina Brondo, Camila Bordonaba and Berta Muniz star in the Argentina-set story of a lawyer who runs into mysterious trouble when she tries to rent out an apartment she’s inherited on the day of a solar eclipse. The Boglianos wrote the screenplay, and Horacio and Esteban Mentasti and Alberto Trigo are executive producers.
“We’ve been big fans of Adrian and Ramiro Garcia Bogliano since we saw Cold Sweat,” said Sundance Selects/IFC Films president Jonathan Sehring. “We’re thrilled to be in business with them on Penumbra, which shows them only growing stronger as filmmakers. Cristina Bondo gives an amazing performance as the Boglianos slowly and expertly turn up the dread and tension in this thrilling film.”
Sundance Selects/IFC Films exec Jeff Deutchman negotiated the deal with XYZ Films’ Nate Bolotin on behalf of the filmmakers.
IFC Midnight has recently released The Human Centipede (First Sequence), Vengeance and Super. Upcoming films include Snowtown and The Human Centipede 2 (Full Sequence).
IFC Midnight Takes Multiple Rights to ‘Penumbra’